NEW
Poetry. Chapbook.
Winner of the 2022 Tomaž Šalamun Prize selected by Ilya Kaminsky
Mira Bartók, Carolina Ebeid, Erinrose Mager, Emily Pettit, Andrea Rexilius, Mary Ruefle, Bianca Stone, Khadijah Queen
In this paper doll book there is no paper doll. We dare not make a doll of Emily Dickinson. We do dare to explore with wonder and whimsy and affection and admiration and intrigue and inspiration – Emily Dickinson's iconic white dress.
A little about the history of the dress can be found by you if you go looking. There’s information about the dress materials – a cotton fabric, mother-of-pearl buttons. There is information about why and when someone might wear a dress of this style. There is information about when Emily Dickinson began dressing in this dress. There are ideas and theories and speculations about why Emily Dickinson might have chosen to wear this dress for the time that she wore this dress. There is information about the pocket.
Here eight artists have made their own version of this dress for you. Each dress appears twice and on the verso page you will find each dress has small tabs should you like to cut it out. Once you cut out a dress may it bring you somewhere interesting and may you bring it somewhere interesting. Perhaps it belongs by favorite books or in a window. Perhaps it goes along on a walk to see a tree or find a bee or a bird. Perhaps it sits on top of a painting or a picture by you or not by you. What we hope is that each dress finds a way to say something to you, to bring about some new perspective, to tell it slant.
Mira Bartók is the author/illustrator of The Memory Palace, a New York Times bestselling memoir and winner of the 2012 National Book Critics Circle Award for autobiography. She has also written and illustrated 32 books for children, including The Wonderling: Songcatcher, published by Candlewick Press and The Wonderling: Singing Tree, forthcoming in 2024. A major motion picture of The Wonderling is currently in development. Meanwhile, Mira is slowly working on My Brain is a Beautiful Country, a graphic memoir about wonder, objects, and synesthesia.
Carolina Ebeid is a multimedia poet and author of You Ask Me to Talk about the Interior and the chapbook Dauerwunder: a brief record of facts. Her work has been supported by the Stadler Center for Poetry at Bucknell University, Bread Loaf, CantoMundo, a National Endowment for the Arts fellowship, as well as a residency fellowship from the Lannan Foundation. A longtime editor, she helps edit poetry at The Rumpus, as well as the online zine Visible Binary.
Erinrose Mager's work appears in Prelude, DIAGRAM, jubilat, Fence, and elsewhere. She is co-editor of The Official Catalog of the Library of Potential Literature and 2020-21 Clemens Doctoral Fellow at the University of Denver where she received her PhD in Literary Arts. She teaches at The Writer’s Foundry MFA Program at St. Joseph’s College in Brooklyn.
Emily Pettit is an artist and poet living in Massachusetts. She is the author of the poetry collections, Blue Flame and Goat In The Snow.
Andrea Rexilius is the author of: Sister Urn (Sidebrow, 2019), New Organism: Essais (Letter Machine, 2014), Half of What They Carried Flew Away (Letter Machine, 2012), and To Be Human Is To Be A Conversation (Rescue Press, 2011), as well as the chapbooks, Séance (Coconut Books, 2014), To Be Human (Horseless Press, 2010), and Afterworld (above/ground press, 2020). She earned an M.F.A. in Poetry from the School of the Art Institute of Chicago (2005), and a Ph.D. in Literature & Creative Writing from the University of Denver (2010). Andrea is the Program Director for Regis University’s Mile-High MFA in Creative Writing. She also teaches in the Poetry Collective at Lighthouse Writers Workshop in Denver, Colorado.
Mary Ruefle is a poet, essayist and erasure artist whose work has been awarded the William Carlos Williams Award, and been a finalist for the Pulitzer Prize and LA Times Book Prize, and long-listed for the National Book Award and National Book Critics' Circle Award. Her erasures, exhibited in museums and galleries are treatments of nineteenth century texts. She's also published a comic book, Go Home and Go to Bed! Wave Books has published six of her poetry collections, mostly recently The Book (2023). She lives in Bennington, Vermont, and has served as Vermont's poet laureate. Her poems have earned the Robert Creeley Award, an Award from the American Academy of Arts and Letters, a Guggenheim fellowship, and a Whiting Award.
Bianca Stone is author of the poetry collections What is Otherwise Infinite (Tin House, 2022), The Möbius Strip Club of Grief (Tin House, 2018), Someone Else’s Wedding Vows (Octopus Books and Tin House, 2014), and collaborated with Anne Carson on the illuminated version of Antigonick (New Directions, 2012). Her work has appeared in The New Yorker, The Atlantic and The Nation. She lives in Vermont, where she is Creative Director at the Ruth Stone House.
Khadijah Queen is the author of six books of poetry and hybrid prose. Ekphrastic works include the poem “Collage, unfinished,” commissioned in honor of Jasper Johns’ Mind/Mirror exhibition at Philadelphia Museum of Art and the Whitney Museum in 2021; the chapbook Exercises in Painting (Bloof 2016); and Fearful Beloved (Argos 2015), partially written as part of Ann Hamilton’s event of a thread installation at Park Avenue Armory. Her book of literary theory and criticism, Radical Poetics, is forthcoming from University of Michigan Press in 2024. She makes drawings, paintings, and collages for fun.
chapbooks & Books
Poetry
Perfect-bound. 64 pp, 6.25 x 7.5 in
ISBN 978-0-9795905-5-9
Publication Date: April, 2014
Poetry.
Chapbook. 20 pp. 5.5 x 8.5 in.
In Vulturine, Andy Nicole Bowers grapples with the unbidden yet undeniable perception of beauty in bodies that speak of suffering. Here, preserved specimens and anatomical illustrations are juxtaposed with medieval woodcarvings, Northern still lifes, and contemporary photographs and sculptures. Ultimately, these poems ask how, through an engagement with bodies racked, opened, stilled, fragmented, “the mind recovers love."
Andy Nicole Bowers collects chalkware saints and aging taxidermy specimens. A recent graduate of the M.F.A. for Poets and Writers at the University of Massachusetts Amherst, she is now pursuing an M.A. in the History of Art and Architecture.
Nonfiction/Police Log
Perfect-bound. 105 pp, 5 x 7 in.
ISBN 978-0-9795905-6-6
Publication Date: 2013
Poetry
Perfect-bound. 80 pp, 5.5 x 7.5 in
ISBN 978-0-9795905-4-2
Publication Date: March, 2013
Poetry.
Chapbook. 44 pp. 3 x3 in.
3 x 3" pocket size collection of short poems that span from Ghost Fonts to Food Courts, from Push Mowers to Phantom Crystals, and all the Lice Hunters and Stage Mothers in between.
Poetry
Perfect-bound. 52 pp, 7.5 x 7.5 in
ISBN 978-0-9795905-9-7
Publication date: 2012
Julia Johnson helpfully gives us a handbook that kindly deals with mortality, beauty, time & space & other & many unrecordable dimensions, we thank her for it!
Poetry
Perfect-bound. 72 pp, 7 x 8.5 in.
ISBN 978-0-9795905-3-5
Publication Date: March, 2013.
Kelin Loe's debut collection of poems offers a voice so quick it transfers heat: "What you call losing / your virginity I call every other day." THESE ARE THE GLORIA STORIES bristles with kinetic energy. The collection's four extended suites atomize and collide with each other in colorful pyrotechnic displays. Simultaneously gracious and playful, curious and knowing, these poems jolt across boisterous domestic odysseys with brassy rhetoric.
Poetry
Perfect-bound. 80 pp, 7 x 8 in
ISBN: 978-0-9795905-2-8
Publication date: 2012
Poetry
Chapbook 6 x 3.5 in.
KikiPetrosino is the author of two books of poetry: Hymn for the Black Terrific (2013) and Fort Red Border (2009), both from Sarabande Books. She holds graduate degrees from the University of Chicago and the University of Iowa Writer's Workshop. Her poems have appeared in Best American Poetry, The New York Times, FENCE, Gulf Coast, jubilat, Tin House and elsewhere. She is founder and co-editor of Transom, an independent on-line poetry journal. She is an Associate Professor of English at the University of Louisville, where she directs the Creative Writing Program.
A selection of poems from Slovenian poet Aleš Šteger’s 2015 book Above the Sky Beneath the Earth. Translated by Brian Henry.
Slovenian writer Aleš Šteger has published seven books of poetry, three novels, and two books of essays. A Chevalier des Artes et Lettres in France and a member of the Berlin Academy of Arts, he received the 1998 Veronika Prize for the best Slovenian poetry book, the 1999 Petrarch Prize for young European authors, the 2007 Rožanc Award for the best Slovenian book of essays, and the 2016 International Bienek Prize. His work has been translated into over 15 languages, including Chinese, German, Czech, Croatian, Hungarian, and Spanish. He has published four books in English: The Book of Things, which won the 2011 Best Translated Book Award; Berlin; Essential Baggage; and the novel Absolution.
Brian Henry is the author of ten books of poetry, most recently Static & Snow. He co-edited the international magazine Verse from 1995 to 2017 and established the Tomaž Šalamun Prize in 2015. His translation of Aleš Šteger’s The Book of Things appeared from BOA Editions in 2010 and won the Best Translated Book Award. He also has translated Tomaž Šalamun’s Woods and Chalices (Harcourt, 2008) and Aleš Debeljak’s Smugglers (BOA, 2015). His poetry and translations have received numerous honors, including an NEA fellowship, a Howard Foundation grant, the Alice Fay di Castagnola Award, and a Slovenian Academy of Arts and Sciences grant.
Chapbook. Poetry.
32 pp. 6 x 9 in.
POSSIBILITYISM says however you wish to interpret that, which means we are all welcome to its words. Thomson's generosity visibly invites strangers, friends, beloveds in, with exuberance and celebration of our imagination's desire to salvage us, hopefully doing something terrific like riding an emu thru metal detectors; and yet, the same poem ends I just cracked open this book entitled "Subduing Demons in America"/which doesn't seem possible............................. ..................POSSIBILITYISM introduces us to original poems and a galvanic poet.
Jamie Thomson is a poet from Northampton, MA. He currently lives in Easthampton, MA. Recent poems have appeared in DIAGRAM, Fence, KEITH LLC, among others. Possibilityism is his first chapbook of poetry.
Poetry.
Chapbook. 28 pp. 5 x 7 in.
Michelle Taransky's ABRAMOWITZ-GROSSBERG runs on the parallel tracks of names, naming, names, name-changing; it says "I want you to be confused/ Even if you know writing/ Closes the empathy gap// Decides who should be/ Teaching who/ To be a plumber/ Who has no concept/ Of how to define// a vocation...." It asks us to ask questions without end, it questions why we see who we see and who sees us seeing them and how we seem to want to see while being seen by one another, and to know of and be known by a name.
Michaele Taransky's books include BARN BURNED, SORRY WAS IN THE WOODS and the fhp chapbook ABRAMOWITZ-GROSSBERG. Her poems have appeared in VOLT, Denver Quarterly, Drunken Boat, and others. She teaches for University of Pennsylvania, and is a poet, teacher, editor, and freelance copywriter. She lives in Philadelphia.
TOMAŽ ŠALAMUN PRIZE
Poetry. Chapbook.
Winner of the 2022 Tomaž Šalamun Prize selected by Ilya Kaminsky
Poetry.
Chapbook.
Editors' Choice for the 2023 Tomaž Šalamun Prize
Michael Bazzett is the author of The Echo Chamber (Milkweed Editions, 2021), as well as three other collections of poems, including The Interrogation(Milkweed, 2017), and You Must Remember This (Milkweed, 2014) winner of the Linquist & Vennum Prize for Poetry. He's also published three poetry chapbooks, including They: A Field Guide (Factory Hollow, 2024), which was the editor's choice selection for the Tomaž Šalamun Prize, and The Temple, (Bull City, 2020) the editors' choice selection for the Frost Place Prize.
His verse translation of the Mayan creation epic, The Popol Vuh, (Milkweed, 2018) was long-listed for the National Translation Award and named one of the best books of poetry in 2018 by the New York Times. His translations of the poetry of Humberto Ak'abal have appeared widely, in venues such as Modern Poetry in Translation, Latin American Literature Today, and The Common, and a collection, If Today Were Tomorrow, was published by Milkweed Editions in 2024.
Bazzett is a 2017 National Endowment for the Arts Literature Fellow, as well as winner of the Bechtel Prize from Teachers & Writers Collaborative. His work has appeared in Ploughshares, The Nation, GRANTA, Guernica, American Poetry Review, Copper Nickel, The Sun, and The Paris Review.He lives in Minneapolis, where he teaches high school English at The Blake School.
Poetry.
Chapbook.
Editors' Choice for the 2023 Tomaž Šalamun Prize
Kate Colby’s books include Reverse Engineer and I Mean. Paradoxx is forthcoming from Essay Press. Her poetry and essays have recently appeared or are forthcoming in Annulet, Conjunctions, Harper’s, LitHub and The Nation. She lives in Providence, where she teaches and runs around with Spatulate Church Emergency Shift, an ad hoc poets’ theater collective.
Poetry.
Chapbook. 32 pp.
Winner of the 2021 Tomaž Šalamun Prize Chapbook Contest, judged by Sawako Nakayasu.
Poetry.
Chapbook. 28 pp. 5.5 x 8.5 in.
Winner of the 2020 Tomaž Šalamun Prize Chapbook Contest.
Poetry.
Chapbook.
Winner of the 2022 Tomaž Šalamun Prize selected by Hoa Nguyen
Born and raised in Manila, Lian Sing currently writes from a tiny home on wheels in central Texas. She received her degree in Comparative Literature from the University of the Philippines Diliman, and has work published in Black Warrior Review, Brave New Words, Infrarrealista Review, Meridian, Quarter After Eight, The Journal of Southeast Asian Ecocriticism, and elsewhere.
Poetry.
Chapbook. 32 pp. 5.5 x 8.5 in.
Winner of the 2018 Tomaž Šalamun Prize. The Tomaž Šalamun Prize is given for a chapbook by a poet at any stage of their career. The winner receives $500, publication of the chapbook by Factory Hollow Press, and a one-month residency at the Tomaž Šalamun Center for Poetry in Ljubljana, Slovenia.
Watch Sophia read a selection from Correspondent Medley here.
Sophia Terazawa is a poet and performer of Vietnamese-Japanese descent working with ghosts. She is the author of I AM NOT A WAR (Essay Press). Her favorite color is purple.
Poetry.
Chapbook. 36 pp. 5.5 x 8.5 in.
Winner of the 2019 Tomaž Šalamun Prize. The Tomaž Šalamun Prize is given for a chapbook by a poet at any stage of their career. The winner receives $500, publication of the chapbook by Factory Hollow Press, and a one-month residency at the Tomaž Šalamun Center for Poetry in Ljubljana, Slovenia.
Jennifer Liberts’ poems have appeared in Narrative Magazine, Switchback, The Paris Review, Tuesday; An Art Project, Subtropics, and Susan/The Journal. She lives in Portland, Oregon.
The poems in Hyperspace inhabit an invented liminal space into which the psyche is projected. The psyche drifts around there, wondering things. At first, I thought I was writing poems about solitude and longing, but as I kept writing from hyperspace, hyperspace became more and more populated. Maybe even loneliness is better in company! The poems try to work that out.
Zoe White
Listen to a podcast with Zoe featured at the Ruth Stone House here.
scram press
Chapbook. 16 pp. 10 x 5
Published April 2022
Edition of 100.
Designed by Michael Grinley.
Poetry book. 60 pp. 7 1/2 x 5 ½
Published October 2023
Edition of 300
ISBN: 979-889034711-4
Designed by Michael Grinley
Poems
Chapbook. 24 pp. 6x4.5
Published 2020. 100 copies, numbered.
Text in Myriad Variable Concept.
Titles in Bell Gothic.
Designed by Michael Grinley.
Chapbook. 36 pp. 7.5x5.5
New poems.
Published August 2021
Edition of 225.
200 trade copies.
25 signed/numbered by the author.
Hand set and printed letterpress in Univers Light.
Sewn and bound by hand.
Letterpress printing and binding by The Brother in Elysium.
Trade edition: $18
Signed: $50
Poetry
Chapbook. 36 pp. 9x6.
The poems assembled in The Trust never appeared in James Tate’s full-length collections. They are selected from four small press books, published in 1968 and 1969: Notes of Woe (Stone Wall Press), The Torches (Unicorn Press), Row with Your Hair (Kayak Press), Shepherds of the Mist (Black Sparrow Press).
Published: March 2021
Edition of 200 copies.
Hand set and printed letterpress in Sabon.
Sewn and bound by hand.
Letterpress printing and bookbinding by The Brother In Elysium.
Chapbook. 16 pp. 7.5 x 5.5
Published December 2021
Edition of 100.
Sewn and bound by hand
with letterpress printed covers.
Poetry
Chapbook. 24 pp. 8x7
Published 2019. Second Printing. 100 copies. Sold out.
Text in Sentinel; titles in Acme Gothic Compressed.
Printed on Crane Lettra and Mohawk Superfine.
Designed by Michael Grinley
Poem
Broadside. 6”x6”
Published 2021. 100 copies.
Hand set and printed letterpress by The Brother in Elysium.
Title in Gill Sans Medium.
Text in Neuzeit-Grotesk Buch.
Printed on Strathmore Wove Cover 110lb.
ALL SOLD
Poetry.
Chapbook. 24 pp. 5 x7 "
Holly St. John Bergon’s GHOSTLY GLANCES ranges from Las Vegas to England, Colorado to Spain, Martha’s Vineyard to Mexico in poems that veer toward the uncanny in moments of transformation in the lives of a boxer, bullfighter, Lacandón Indian, Virginia Woolf’s ghost, red-tailed hawks, and the poet herself, dwelling in half-light among both the living and the dead.
Poetry
Chapbook. 24 pp. 5 x 7 in.
Gillian Conoley's SINKING INTO THE LEOPARD PILLOW continues what Conoley does as no one else does it----be her kind of way of present with an eye, ear, heart, and mind attentive to and alerted by the complicated and ever-roiling human tendencies she knows; in eight poems a few of the things that happen are "I love my tiny part Neanderthal DNA," a "combustible planetarium" appears, someone says, "I am no longer afraid of robots," the "Election Year" casts its pall, there is the "leitmotif of a bra strap," we are invited to visit "The House of Love."
ALL SOLD.
Poetry.
Chapbook. 32 pp. 5.5 x 8.5 in.
Winner of the 2019 Tomaž Šalamun Prize Editors’ Choice Selection.
Poetry
Perfect-bound. 112 pp., 5.5 x 7.5 in.
ISBN: 978-0-9835203-9-9
Publication date: 2014
Poetry
Letterpress printed cover, blind embossed. 5 x 8 in.
Publication date: February 2013
Poetry
Chapbook. 24 pp. 4.5 x 6 in.
David Feinstein’s poems have appeared or are forthcoming in Forklift Ohio, The Atlas Review, epiphany, jubilat, and Tin House. He is the author of the chapbook Woods Porn: The Adventures of Little Walter (published by No Dear / Small Anchor Press) and Tarantula, fresh off the press from Factory Hollow. He lives in Amherst, MA where he teaches writing and is a member of the Connecticut River Valley Poets Theatre.
Prose
Chapbook. 28 pp. 5 x 7 in.
Double layer, letterpressed/laser cut cover
Patrick Gaughan’s THE IMPERSONATOR’S is a collection of prose pieces troubling the lines between audience and celebrity, where Jean-Claude Van Damme collides with Adorno and "the real" blurs into Kristen Stewart. This is all to say “I want a world of copies who can’t copyright."
Poetry. 24 pp. 5.5” x 8.5”
Winner of the 2017 Tomaž Šalamun Prize. The Tomaž Šalamun Prize is given for a chapbook by a poet at any stage of their career. The winner receives $500, publication of the chapbook by Factory Hollow Press, and a one-month residency at the Tomaž Šalamun Center for Poetry in Ljubljana, Slovenia.
Nathan Hoks is the author of Reveilles and The Narrow Circle, winner of the 2012 National Poetry Series. He lives in Chicago with his family, and teaches at Loyola University Chicago and the University of Chicago. He is also a printer and editor for Convulsive Editions, a micro-press that publishes broadsides and chapbooks.
Poetry
Chapbook. 20 pp. 6.5 x 8.5 in.
Andrea Lawlor teaches writing at Mount Holyoke College, is the recipient of a 2020 Whiting Award for Fiction, and has been awarded fellowships by Lambda Literary and Radar Labs. Their publications include a chapbook, Position Papers (Factory Hollow Press, 2016), and a novel, Paul Takes the Form of a Mortal Girl, a 2018 finalist for the Lambda Literary and CLMP Firecracker Awards. Paul, originally published by Rescue Press in 2017, is out now from Vintage/Knopf (US) and Picador (UK & Ireland).
Poetry
Perfect-bound. 94 pp, 7 x 8.5 in
ISBN: 978-0-9835203-0-6
Publication date: 2012
Poetry.
Chapbook. 24 pp. 5 x 7 in.
in that there is sky there must also be wings, in her new chapbook THE COSTUME OF A HUNTER Kate Lindroos investigates what language is and does to us and for us, its logic, its images, the sounds it makes, so that, when one lets one's brain take upon itself to think how these poems think, it isn't too far-fetched to say in that there is existence there must also be Kate Lindroos telling us how that feels in poems. The book's epigraph ends with a sentence from Barry Lopez, "The land is like poetry: it is inexplicably coherent, it is transcendent in its meaning, and it has the power to elevate a consideration of human life."
Poetry
Chapbook. 24 pp. 5 x 7 in.
Letterpressed cover w/blind emboss
Andrew McAlpine’s MY UTMOST DEVOTION is a book-length long poem, originally written as a series of Tweets during a residency with Mount Analogue, in which our hero confides “I am not afraid to be childlike/ to make my wants known/ & to look in horror at the requirements/ of a well-managed day”, and later, “when I roll my tongue on the place/ where ice cream cone meets ice cream/ I get a sense that something/ might just change forever”
Poetry.
Chapbook. 32 pp. 4x6 in.
McCue calls I ALMOST READ THE BOOKS WHOLE a guide into seeing books without knowing them, or knowing them fully without really seeing them. Her little book contains 23 one page reflections concerning signs and symbols and what we make of them; 4 x 6, beautiful cover art by Bianca Stone.
Frances McCue's works include the books TIMBER CURTAINS, THE BLED, THE STENOGRAPHER'S BREAKFAST, THE CAR THAT BROUGHT YOU HERE STILL RUNS, and the documentary WHERE THE HOUSE WAS; she is the founder of Hugo House, a community arts center in the heart of Seattle, Washington; McCue practices poetry and prose, scholarship and non-fiction, she is a poet, writer, teacher and art instigator living in Seattle.
Chapbook. Poetry.
48 pp.
FURNITURE IN SPACE
Selections from
An Epic of Mysticism and Comradery
by
BEN PEASE
illustrated by
BIANA STONE
with additional videographics by Pease, historical photos from the public domain, and a morbid fasciation with the speeches given at the centennial celebration of the author’s hometown, which is a central subject of this piece.
“His thoughts at times became disordered
—how a pupil dilating
in the marbled field of an iris
imagines forms from nothing
but shadow on shadow.”
Poetry
Chapbook. 24 pp. 6.5 x 7 in.
Rushing Pittman's poems have appeared in Queen Mobs Teahouse, The Knicknackery, Toad, and PHANTOM. He lives in Western Mass. MAD DANCES for MAD KINGS is his first chapbook.
Poetry
Chapbook. 28 pp. 5 x 8 in.
Jon Ruseski is the author of the chapbook Neon Clouds (Factory Hollow Press, 2015). Recent poems appear in jubilat, Incessant Pipe and Queen Mob’s Teahouse. He lives in Northampton, MA.
Fiction
Chapbook. 20 pp. 5 x 8 in.
Caroline Belle Stewart’s stories can or soon will be found in Fairy Tale Review, Black Warrior Review, Quarterly West, Hobart, No Tokens, and elsewhere. She is the co-author of a deck of narrative birding flashcards called "Mast Year: A Mystical Field Guide" (Mount Analogue Press). A recipient of a fellowship from the MacDowell Colony, she lives in Northampton, MA.
Bianca Stone’s IDIOT SAVANT is a collection of fragments: poetry, comics, collage and commentary in the spirit of a comic book “Christmas special.” Twenty pages of darkly humorous comics, IDIOT SAVANT tells a bittersweet winter story of a woman in crisis through a disintegrating narrative, and odd japes. It is a perfectly imperfect addition to any holiday shelf.
Chapbook. 32 pp. 6 x 9 in.
Faux Pas by Paige Taggart is a wondrous meditation on lamentation and celebration. Through vibrant music and cataloging, Paige Taggart's lines lead a reader through both familiar and surprising moments and minutes of living. It is work that is transforming and transforms.
Excerpts in jubilat and blush .
Paige Taggart is an artist/poet/jeweler person living in Brooklyn. She's the author of two full-length collections, Or Replica (Brooklyn Arts Press) and Want for Lion (Trembling Pillow Press) and 6 chapbooks. She runs her own small business, a jewelry line (mactaggartjewelry.com).
Poetry
Chapbook 5x8 in. 27 pp.
Halie Theoharides lives in Western Massachusetts and studies poetry, wildlife and visual art. Poems appear in DREGINALD, H_NGM_N, jubilat, Leveler, and Two Serious Ladies. She is the current managing and found content editor for jubilat. Find her drawings and other work at thenightgown.tumblr.com.
Poetry
Chapbook. 24 pp. 6.5 x 8.5 in.
John Emil Vincent, poet, archivist, and critic living in Montreal, is the author of Queer Lyrics: Difficulty and Closure in American Poetry (Palgrave 2002) and John Ashbery and You (Univeristy of Georgia 2007). He edited After Spicer, a book of essays on Jack Spicer (Wesleyan 2011), and has served as Editor-at-large for the Massachusetts Review. Part of his project on poetic visuals will be published in Raritan early next year. He's taught literary studies and creative writing at University of Miami, Wesleyan, Haverford, and Concordia.
Trump It: Words I Found on the Right is composed of Republican language from the 2016 election cycle.
Laura Willwerth lives in Massachusetts. Her fiction has appeared in Route Nine and The Massachusetts Review.
Poetry
Letterpress printed front & back cover. 6 x 7.5 in.
FHP anthology, 2012. Featuring work by Hannah Brooks-Motl, Caroline Cabrera, Francesca Chabrier, Brian Foley, Anne Holmes, Emily Hunt, Avram Kline, Ben Kopel, Kelin Loe, Matt Suss, Gale Thompson, C.S. Ward.
Jack Christian is the author of the poetry collections Family System and Domestic Yoga. Since moving to Minneapolis in 2024, he's been reviewing bars and restaurants and generally trying to comprehend the Midwest on his substack Day Dates.